Rounding off the current flurry of gig
activity is a welcome return to my “Dance Card” of my first proper “Favourite
Band”, 70’s anthemic punks The Skids. As a 13 year old, I’d fallen for Richard
Jobson’s manic dancing when I first saw them perform the fist-pumping “Into The
Valley” on “Top Of The Pops”, and so revelled in their recent reunion shows. We’d
been “on a break” since the last time (October 2021, gig 1,193) as the Skids
line-up essentially morphed into the still-up for it Jobson plus a backline of
hired hands; however I wasn’t going to miss them playing in Swindon, moments
from my doorstep (ironically at the criminally underutilised MECA, where they
were due to play waaay back in January 2019!), even if it was as support to an ersatz
Jam line-up. Also, as Mark E Smith used to say, “if it’s me and yer granny on bongos,
it’s The Fall,” so surely the same hold true of the effervescent frontman
Jobson and The Skids?
Any fears about the quality or proficiency of this Skids line-up were immediately blown away. They sounded great! Young guitarist Connor Whyte particularly had some seriously big shoes to fill but handled the late Stuart Adamson’s intricate snaking guitar patterns with aplomb, and drummer Nick Hernandez was a strong-armed, hard-hitting beast, driving the sound with relentless force, a worthy successor to Messrs Kellichan, Egan and Baillie. But of course the jocular, kinetic Jobson was the main focus; joking about ageing (“there’s a time when your cock gets smaller…!”), taking aim at usual targets Savile and Sayer (Leo of course having deprived The Skids of a number one album, some wag down the front – OK, me – shouting, “get over it!”, Jobson replying, “I can’t! I’m still bitter!”) and lending his rich, stentorian vocals to classics such as the fist-pumping terrace chant “Yankee Dollar” and the soaring “Circus Games”. A ragged rant through “TV Stars” (“the worst song in the history of punk rock!” according to Jobbo) was throwaway fun, preceding an equally breathless cover of The Clash’s “Complete Control” (“the best!”); then the inevitable, towering “Into The Valley” was a brilliant finale, Jobson punching the air with furious intent, then leading the enthusiastic early comers through an a capella singalong of the hook. Tremendous stuff!
Drummer Nick kindly supplied me with a list, and we took a breather before taking a spot a little further back for From The Jam, original Jam bass player Bruce Foxton and long-time oppo Russell Hastings the main man in this 5-piece line-up. The Jam had never been massive favourites of mine – I’d owned 2 singles of theirs, back in the day, both bought in the Woolworths cheapo “Ex Chart” box! – and after the roaring, terrace chant dynamism of The Skids, this iteration of FTJ sounded flat and insipid, statically going through the motions like a poor pub band, and Foxton (who took bass duties on a few Stiff Little Fingers tours a dozen or so years ago) sadly looking fragile, every one of his 68 years, and sounding particularly shaky on lead vocals for an early “David Watts”. Distracted, I took a walk, running into a number of old friends and faces for catch-up chats, including Jobbo himself, whom Rich had located at the merch stand and who happily recalled our previous meetings at other Skids gigs. Nice!
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