Showing posts with label Ist Ist. Show all posts
Showing posts with label Ist Ist. Show all posts

Sunday, 1 June 2025

1,386 IST IST, Oliver Marson, Southampton Joiner's Arms, Thursday 22nd May 2025

 

Happy World Goth Day! And, after a turbulent day today, I was in need of the healing power of some brooding, Goth-adjacent post-punk rock’n’roll from recent find Ist Ist. I’d picked up on their 4th album “Light A Bigger Fire” last year and caught a splendid rousing performance at Bristol Exchange last October (gig 1,352), which also included a lengthy post-gig chat with knowledgeable bassist and then-birthday boy Andy Keating. So that was enough in itself to shoehorn them onto my gig radar for future tours, especially if any such tours include a gig at likely my favourite current venue, Southampton’s Joiner’s Arms! 

So,, a solo shlep down the M4/ A34 on this sunny Thursday evening got me road-parked up a stone’s throw from the venue about 20 to 8, and in a slightly different house left spot in this evocative old pub back room. I’d been feeling a little, erm, uncomfortable on the drive down, maybe as a result of the day, so I thought a house left spot in easier reach of the, erm, facilities, would be prudent, and so it transpired… Anyhoops, I was in place for opener Oliver Marson at 8. A solo vocalist/ guitarist with a computer full of backing tracks flashing out a very 80’s radio-friendly AOR synth-poppy sound which, when decent, recalled the likes of Tears For Fears, Talk Talk’s chart singles and, most obviously OMD (his “Past Life” being very “Electricity”), only actually not as good as that sounds. The material itself was a bit dodgy and haphazard – odd chord changes providing a bumpy transition between verses and choruses, for example – which rather wasted a rather decent Glenn Gregory-esque baritone voice and Andy McClusky-like dancing. 

A necessary comfort break still saw me keep my front-row spot, extreme house left, as the place filled to capacity. Quite the sausage-fest too, black-clad balding/greying old muso chaps proliferating… so, my people…! The similarly black-clad Ist Ist were ushered onstage by security, vocalist Adam leading the band into the growling intro and pounding dynamic punk-rock drumbeat of opener “Stamp You Out”, followed by the more metronomic Interpol-esque “Lost My Shadow” and slower, stately and haunting marble statue synth of “Something Else”. The taut low-slung bass-led Joy Division-isms of oldie “Silence” followed, after which the leather jacket and Ray-Ban clad impossibly cool bassist Andy remarked, “there’s fucking loads of you! I’m as hot as I’ve ever been in my life… but as a professional, I’m going to persevere with the leather…!” 

Fair play to him, so he did, the glasses coming off a couple of numbers before the end but the jacket remaining in situ throughout. And this commitment to insouciant rock’n’roll cool was underlined by his and his bandmate’s performance tonight… simply put, Ist Ist were ace! Okay, their dark, dramatic and brooding Goth-tinged post-punk material is slap bang in the middle of my wheelhouse, evoking the 80’s likes of Joy Division, Echo And The Bunnymen and The Chameleons, so would work for me in any format, but “live” it takes on added widescreen power and dynamism and, well, just makes more sense, particularly in a tight, sweaty and evocative venue such as The Joiners. The New Order synth flourish of the tremendous “I Can’t Wait For You” rounded off a brilliant opening 5-spot, but honestly there was no discernible drop-off in either song quality or commitment of delivery thereafter. “Something Has To Give” featured an abrupt gearshift from moody and slow-burn to fast and frantic; newie “Burning” had an almost swampy blues feel in its’ guitar riffery, a slight departure from their usual post-punk template; and “Dreams Aren’t Enough” was proper Bunny-esque in its’ stately sense of space. A robotic “Makes No Difference” was my favourite of the 3 newies on show, Adam thanking us for paying attention to them (“I know they’re often a convenient piss break!”), then “Hope To Love Again” was the poppiest number on show, evoking late period White Lies. Compliments from the band then preceded a final “Slowly We Escape”, the synth-led and elegiac opening bursting into thrilling punk rock life before accelerating to a thunderous finish, rounding off a marvellous set. 

The front row lists went early, of course, and the drummer’s list was handed to a stage-side chap, seemingly destined for someone else, despite my entreatments to said gent. Fair enough, I thought, no harm in asking anyway… However, a couple of days later, the self-same bloke (the Joiners’ manager, as it happens!) posted on the Ist Ist facebook page seeking out “the bloke from Southampton who was desperate for a list!”, so I got in touch and was promised a spare through the post, which I received a week later. As if I needed another reason to love the Joiner’s any more…! So, easily sloughing off the dead skin of a crappy day, Ist Ist were the perfect antidote and excellent hosts for a World Goth Day Celebration!

Saturday, 12 October 2024

1,352 IST IST, Cucamaras, Bristol Exchange, Thursday 10th October 2024

 

A quick return to the scene of the crime, this… just 2 days after leaving the Exchange early due to the awful sound at the Redd Kross gig, I’m back again, hoping for something better from Mancunian post-punk gloom merchants Ist Ist. As with fellow Mancs and loose contemporaries Slow Reader’s Club, they’re a band for whom I’m very late to the party, just picking up on their current, 4th (!) album “Light A Bigger Fire” on release a couple of months ago, immediately finding an excellent slab of brooding guitar-led (with odd synth embellishments) tuneage, featuring redolent growling bass and clipped, understated yet authoritative vocals adding appropriate and atmospheric gravitas. Sounds familiar? Well, maybe, but a) as a Manchester band, they’ll inevitably get tagged as “Joy Division-esque”, b) this dark, menacing gothy post-punk itch is one I’m happy to scratch over and over again until I bleed, as long as the vocalist is actually singing rather than hectoring me as if from Speaker’s Corner (yes, Fontaines DC, I’m talking about you…) and c) Tunes? On the evidence of “LABF”, Ist Ist got ‘em, dude. Big towering choral hooks aplenty. What’s not to like?

Set off about 7 and parked up in a free spot directly opposite the venue, in just before 8. Result! Nottingham lot Cucamaras were on in pretty short order, opening up with some speedy, taut and angular guitar based indie punk, with an almost spoken word ranting and gabbling delivery from the tousled vocalist. Just when I was ready to dismiss them as Yard Act’s “B” team, however, they delivered a literal “Clothesline”, said number featuring a buoyant, catchy Vaccines-like tune and an excellent descending choral hook. Nice! Next single “Laughing” was an insistent groove with a slightly harsh C86 jangly vibe, recalling for me my 80’s faves Close Lobsters, and by the glam stomp and big Britpop terrace chant choral hook of closer “Spoken Word” I was on board. Skeptical at first, but they ultimately won me over, and I’d like to catch them again…

Took a loo trip then took a spot near the front, house left, noticing the plethora of Ist Ist tees around me (the Ist Ist massive, like Slow Readers’ fans, seem a seriously devoted lot) and chatting with Paul, a fellow punter taking a night off from his preferred symphonic metal (!) tonight! Ist Ist took the stage at 9, and with the minimum of fuss, launched into the taut, tense gallop of new album opener “Lost My Shadow”, vocalist Adam Houghton’s doomy, resonant vocals and Andy Keating’s undulating, Hooky-like bass already propelling the sound along. Fears of a repeat of Tuesday were immediately dispelled; it sounded great, the building Interpol-esque “The Kiss” and sweeping, brooding oldie “Stamp You Out” following in very short order. Nary a moment to catch breath between numbers; Ist Ist were on a mission tonight, no messin’! 

“There’s fucking loads of you! Thanks for coming down!” exclaimed Andy after the lighter, more haunting and ephemeral “Black”, and that was pretty much it, as far as chat went, for the first half of the set, the black-clad band staying firmly in moody, taciturn character, delivering their material with clipped determination and purpose, although an early highlight was the more buoyant backbeat synth fanfare and contrasting vocal lines of an excellent, White Lies-like “I Can’t Wait For You”. However, the seriocity was well and truly skewered after the tumbling drums of the mid-set “Fools Paradise”; Adam finally addressed us with a deadpan, “are you having a nice time? I am – it doesn’t look like it, I’ve got one of those faces...!”, thereafter announcing Andy’s birthday today and bringing on the roadie with a chocolate caterpillar cake! 

Candles blown out, “Happy Birthday” sung (and, inexplicably, Belinda Carlisle’s “Heaven Is A Place On Earth” turned off the p.a) later, Ist Ist were back to business, with a towering “Repercussions”; a later lighters-aloft anthemic “Dreams Aren’t Enough” recalled the widescreen epic sweep of old 90’s faves Adorable; and “Emily” was an eerie, stripped back gothy beast with an audience-powered singalong hook. They eschewed the pantomime of an encore, instead ploughing through with a rip-snorting “Your Mine” and an elegiac “Ghost”, to top an impressive, surprisingly varied 1¼ hour, 20 song set. Excellent stuff! 

Missed out on a list, as they were snagged by or handed out to the front-row disciples rather than this Johnny-come-lately. Fair enough really! That wasn’t it for me though, as an intended brief chat with bassist and birthday boy Andy outside the venue turned into an entertaining and animated near-half hour discussion on post-punk, band influences, Bowie, Bunnymen and that fine line when a gig becomes a “show”, with a voluble and very knowledgeable young man, completely smashing that taciturn onstage persona in the process. Honestly, I could’ve chatted a whole lot longer, but after a pic with the man and his jovial (offstage at least!) vocalist Adam, I tore myself away for a circuitous and M32 closure-affected drive out of Bristol which eased when I hit the M4, home just before midnight. That was way better than I’d anticipated; it seems I’ve clearly got a bit of catching up to do with Ist Ist, but I’m glad I’m now on board with this talented and highly promising band!