Second of two in two nights down in that
there Brizzle, and if last night’s hosts Desperate Journalist are pretty much
the high watermark for UK rock, then tonight lines up the band most likely to
challenge them for that honour in the coming years… Isle Of Wight’s Coach Party
have been slowly and sneakily becoming “live” favourites of mine, their blend
of urgent melodic indie pop, tense Pixies-ish US alt-rock guitar inflections
and lyrical teen diary breakup angst gaining some serious traction of late,
thanks to some high-profile support slots. Said experiences seem also to have
filtered through to their debut album “Killjoy”, it being a varied but
harder-edged, punchier and confident affair than previous EP releases, but an
album that rewards repeated listens, revealing hidden depths to their
ostensibly bouncy indie sound.
After last month’s Rough Trade acoustic CD
release show (gig 1,292), I was looking forward to hearing the new material
fully amped up on “the Dirty Boat”. And I was happily joined by Tim, Peej and
Beef, the boys all meeting round ours for 6 then Tim driving us down a sunny M4,
squeezing into a tiny overparked spot before getting in at 10 to 7, just as
first band Nightswimming were taking the stage. Taking their name from one of
R.E.M’s finest works, they sadly came nowhere near living up to their name with
some wispily and soporifically dull dreampop, recalling The Sundays (yawn) for
me, and Portishead for Peej (ditto). A few interesting resonant textural guitar
licks, maybe, but no tunes to rub together to make fire, and instantly
forgotten the second they left the stage. Thankfully main support Girl Scout
were much more the ticket, kicking off with a sturdier, hooky Beths-like
powerpop toon which set the tone for their enjoyable set. “Tight set tonight
people! Not going to banter like usual…” announced vocalist Emma Jansson,
clearly a woman both in a hurry and on a mission tonight, as they whipped
through “Mothers And Fathers”, a snappy Veruca Salt-esque song about divorce
(!), the vocalist again displaying a fair set of pipes on the “do it again”
hook. “This venue is sick! I wish they had boats for venues in Stockholm!” she gushed,
before the amphetamine gallop and soaring chorus of “unreleased and
unrecorded!” newie “I Don’t Know What It Is”, which proved my highlight of the
set (one for my “Best of 2024” compo CD, maybe…!). Closer “Do You Remember
Sally Moore”, with its Public Image drum opening, hurtling verse and well-observed
mid-song pregnant pause, however ran it close, climaxing another impressive
support set from the Stockholmers – particularly kinetic guitarist and Louis
Theroux lookalike Viktor Spasov, who could shred with the best of ‘em…
I took a loo break then, and on returning
to our spot house left, 3 or so rows back, proclaimed to Peej, “don’t think
this is near the sell-out it’s supposed to be…” Famous last words, as the place
then filled up quickly and, whilst not near as rammed as The Menzingers gig (gig
1,284), was more than amply full for the arrival of Coach Party onstage at 8.45
to a startlingly huge roar, vocalist Jess Eastwood nearly taken aback by the
reception. Jess, resplendent in schoolgirl chic and with The Isle Of Wight’s
Ass barely covered by a micro rah-rah skirt, led the band through grungy,
growling opener “Micro Aggression”; then the band hit a snag as technical
issues with Joe’s guitar forced some nervous banter between Jess and guitarist
Steph, Jess then bringing their photographer onstage to do a dog bark! Once
sorted, the irresistibly flippant “What’s The Point In Life” launched the set
into orbit, and there it bloody well stayed…!
Coach Party were quite, quite brilliant
tonight, possibly the best I’ve seen them (which I seem to say every time, but
hey, it’s true!). Unlike the insouciant, detached cool of last night’s hosts,
however, this set was all about kinetic energy, noise, dynamism and barely
contained full-on in-your-face punk rock; so much so that on the occasional
wall-of-noise guitar squall I could swear they were channelling 00’s “live”
favourites Seafood, or even Bob Mould! “Can’t Talk, Won’t” (“about the best day
of my life,” remarked Jess) was a hurtling downhill luge ride of a song; a
debate about dry shampoo (!) preceded a lovely, Alvvays-ish “Be That Girl”
(see, that’s how dreampop is done properly – Nightswimming, take note), and
after the off-kilter sneery grunge of “All I Wanna Do Is Hate”, the strident,
acerbic “Shit TV” was another mid-set highlight.
But it seemed we were just gathering
momentum for the set climax; after Steph commented on a noticeable left-right
list on the old boat tonight, Jess concurring with the comment, “my mic is on
the wonk!”, the set then just seemed to get harder, faster, punkier, noisier!
“Hi Baby” was a breakneck Beths-like powerpop gabble, “Breakdown”’s pin-prick
verse launched into a racey, strident chorus and some serious shredding from a strident,
screaming Steph, then the savagely angry howl of “FLAG” was “dedicated” to
Rishi Sunak (Jess roaring, “he’s an absolute Cunt! Fuck that fucking prick!”),
before the vocalist grabbed the echo mic and got in the faces of the front rows
for the fierce, fire-breathing finale “Parasite”. Hell of a double whammy to
end a quite ferocious set.
Grabbed a list from the friendly lights
guy and briefly doorstopped an elated Jess and Steph to sign it, before the
Gang of Four of us drove home for 10.45, debating tonight’s events and all
coming to the same conclusion. Coach Party are bloody ace, particularly “live”,
and are going places fast. Brilliant stuff!
I'm not sure I've seen a set-closer like that. I was slack-jawed with awe and wonder. I felt a bit emotional about it the following day.
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