Thursday, 21 October 2021

1,193 THE SKIDS, Gloucester Guildhall Arts Centre, Saturday 16th October 2021

 


The last time I saw The Skids, ironically at this very venue 2 ½ years ago (gig 1,124), it felt as if the relentless touring schedule that this veteran Scottish anthemic original punk band had adopted since their 40th Anniversary reunion in 2017 was winding down, that a less hectic approach would be adopted going forward, that being exemplified by a splendid acoustic set from lead vocalist Richard Jobson and the Watson boys later that year (September 2019, gig 1,151). Then of course Covid hit, and the world was put on pause, providing an unwelcome yet natural break which actually seemed to serve as a rest and reset for The Skids! Not much of a surprise then, that as soon as the venues opened after a near 18-month absence, The Skids announced an Autumn full-on electric band tour. Even less of a surprise was that me and my gig buddy Logan were up for seeing them again!

 Gloucester on a Saturday night was the best choice, so we headed off about 7ish, hitting the venue and opting to grab a drink in the ornate wood-panelled bar over catching support Borrowed Time, whom I’ve seen enough to realise they’re not my cup of homogenous UK82 street punk snakebite. Ran into my Gloucester friend Simon (who’s not only a BT fan but a mate of the vocalist!) and his charming wife Sarah after their set for a long-overdue catch-up, before we took a wander into the half-full old school hall venue, Logan still managing to find a bit of barrier, pretty much front and centre! Whiled away the interval singing along to the 70’s punk PA soundtrack – as I mentioned to a fellow punter, this is our church, and these are our hymns!

 The bubbling synth intro of “Peaceful Times” as ever heralded The Skids onstage, the bomber-jacketed Jobbo last on, yet fully ready to conduct the choir. The regimental drums and riffery of usual opener “Animation” led us in, Bill Simpson’s bass initially sounding a little off, but by the titanic, hard and heavy second number, the brilliant “Of One Skin” it was all sorted.

 


Jobbo was in playful, voluble mood tonight, clearly glad to be back in his natural habitat, i.e. in front of an attentive and enthusiastic audience, and sounded off extensively between songs on subjects such as Bill’s alleged porn career (!), calling out hecklers (at one point offering the whole crowd outside with a, “you think you’re tough enough Gloucester?”), Rod Stewart’s cock (!!), recent “Burning Cities” CD producer – and Killing Joke legend – Youth’s marijuana habits (!!!), and his appearance in Paula Yates’ tacky 90’s book “Rock Stars In Their Underpants” (“a shameful story!”). This, of course, was on top of his fist-pumping, rabble rousing frontman performance, usual shadow boxing “dancing” and stentorian, gut busting vocals, particularly to the fore on a quite brilliant “The Saints Are Coming”.

 The band sounded tight and tough too; clearly the break has done them good, with the Watson father and son guitar duo providing interweaving, snaking riffery of which Stuart Adamson himself would be proud, Bill Simpson pounding out a bass foundation as solid and rock-steady as the springy venue floor wasn’t (!), and – with due deference to usual drummer Mike Baillie – guest drummer, Big Country’s Mark Brzezicki, giving his usual virtuoso masterclass in hard-hitting rock drumming. The staccato opening to “Charade” ceded to a huge choral hook, the excellent “Kings Of The New World Order” showed there’s songwriting life in these old dogs yet, and after a more reflective yet still rousing singalong mid-set double of “Hurry On Boys” and “A Woman In Winter”, it all went a bit old school punk rock, the Boris-baiting terrace chant “Albert Tatlock” segueing into truncated versions of The Sex Pistols’ “Pretty Vacant” and Buzzcocks’ “What Do I Get”, before the inevitable “Into The Valley” and a galloping “Olympian” closed the set out.

 The punk rock wasn’t finished, though, with a rambunctious run-through of The Clash’s “Complete Control” (a stand-out track on their recent “Hymns From A Haunted Ballroom” covers CD) the encore punctuation point on a 1 hour 20 set, proving there’s still life in these old Scottish terriers yet, particularly after the Covid break. A quick catch-up with Simon and Sarah before a false start home due to a road closure still got us back in time to grab a kebab and watch some Red Sox playoff baseball before hitting the hay. A good day, a great boys night out with Logan, and a triumphant and welcome return from The Skids!

No comments:

Post a Comment