Wednesday, 27 July 2022

1,238 DEAN WAREHAM, Ryder The Eagle, Bristol Fleece, Monday 25th July 2022

 


A gig over 2 ½ years in the waiting, this... the last of my pre-Covid booked gigs to actually take place, I booked tix for this one in December 2019, only for various lockdowns either side of the pond to delay the tour 4 times overall (although it seemed more!). Either way, it’s finally here; former Galaxie 500 and Luna frontman Dean Wareham, delivering a rendition of his first band's seminal 1989 sophomore album “On Fire” to celebrate its 30th (well, 32nd now!) anniversary. A serious precursor for the early 90’s shoegaze scene, this, with dreamy and droney material taking a slight cue from the Velvet Underground but otherwise sounding unlike anything else of its era, I picked up on it as part of my late 80’s Boston-area musical voyage of discovery - Pixies, Muses, Dinos, Tom, Dipper... heck, even Birdsongs Of The Mesozoic found their way onto my radar back then! Only got to see G500 the once (November 1990, gig 178 - missed them a couple of times before that) and honestly they weren’t all that, but I subsequently enjoyed my Luna shows (gigs 269 and 294) better, so happy to give Dean and this album another chance!

 Old friend Beef joined us too - disgracefully, this was the first time I’d seen him since before lockdown! What happens with a friendship predicated on going to gigs, I guess... anyway, much catching up ensued during a swift drive to Brizzle, thence parking up just round the corner of The Fleece and chatting outside before 7.30 doors. Got the drinks in inside, running into “Shiiine On” buddy Matt and finally meeting Martin, our erstwhile 4th “Shiiiner” for this year! Support Ryder The Eagle was bloody awful - a young bullfighter-clad bloke singing moody dirges to backing tapes? Nope nope and thrice nope, so Beef and I scuttled back outside, being joined later by Matt, who advised Ryder had since hopped offstage, gone round the crowd singing in people’s faces and was currently rolling on the floor, stripped to the waist...

 Joined the muso throng back inside and stood by the bar, 2/3rds back - no need for front row spots for this one, given the atmospheric mellow melancholy of the “On Fire” material... Sure enough, Dean led his 4-piece band onstage to little fanfare, easing into a few choice cuts from his current album “I Have Nothing To Say To The Mayor of LA”, which veered between slow-burn atmospherics (“As Much As It Was Worth”) and more upbeat yet still languid grooves a la early Luna (opener “Corridors” and the catchy “Cashing In”, which featured the delicious line, “every fuck was a flying fuck”!). Again, with little fanfare, “Blue Thunder” then heralded the “On Fire” rendition, Dean lifting his vocals through numerous octaves to hit the mainly falsetto notes required by this dreamy yet discordant material - largely successfully!

 On my only Galaxie 500 “live” experience, I felt their performance veered too much towards jarring noise, even finding a few “On Fire” numbers a little too much during recent revision listens in the car... tonight, however, Dean and crew balanced that off-kilter discordancy skilfully with delicate dreamy atmospherics, providing a heady and beguiling mix. “Snowstorm” was a hushed and fragile delight, building to a meandering wah-wah guitar riff, and “Another Day”, sung by guitarist Britta (more on her later) was a 60's influenced psychedelic San Fran drug den drone with a baroque, almost Jefferson Airplane chorus! “Leave The Planet” featured some thrilling Byrds-ian backwards psych-guitar riffery and Mo Tucker-esque tub thumping, overlaid by Dean’s own slightly misbehaving mouth organ clarion blare, whilst “Isn't It A Pity” was a touching, air-clearing ballad to close out a surprisingly fine set.

 


A couple of encores, including the tumbling, undulating “Flowers”, the slow-build to crescendo of my favourite G500 number “Tug Boat” and a Red Crayola cover, “Victory Garden”, which required a break midway through thanks to some nasty feedback, rounded off a splendid performance. Swiped a mixing desk list (hooray!) and got it signed by an affable, masked-up Dean and his merch-stand bound wife and band guitarist Britta. Ah yes,Britta... Britta Phillips (for t’was she) was the lead singer of excellent early 90's US shoegazers The Belltower, hosts of my landmark gig no. 200 in November 1991 and a couple of other performances back then, including a Friday Big Tent set at my first Reading Festival in 1991, which I attended at the expense of the mainstage debut of a then-unknown band called (ahem) Nirvana... I shared said story with Britta before farewells to Matt and Martin and a swift drive home, Britta being just amazed that anyone still remembered The Belltower! A surreal way to end a better than anticipated gig 2 ½ years in the waiting!


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