Monday, 23 May 2022

1,228 ABSTRACTION ENGINE, David Lynch, Swindon The Castle, Friday 20th May 2022

 


A local Friday night up the hill… again! Continuing my May itinerary of relatively small gigs, here’s one at The Castle, scene of riotous Christmas Eve drinkies and games of killer pool in my wayward youth, and more recently scene of numerous (and equally riotous) Raze*Rebuild sweatathons. This time, however, Abstraction Engine are the hosts, therefore promising something a little more cerebral and thoughtful, given their chameleonic and wide-reaching alt-indie approach to music-making. Either way, I’m getting more on board with these splendid bunch of local gig veterans, so I’m up for it!

 So, a drive up the hill, an easy slot in my new (free!) old town parking spot and a wander through an eerily deserted old town saw me pitch up at an equally quiet Castle about 8.30, meeting up with the AE boys and enjoying some lengthy rock chats, in particular with bassist Gareth about shoegaze veterans Ride! Grabbed a seat in the back room and had some banter with landlord and old friend Kev Fitzgerald before opener David Lynch plugged in his acoustic guitar and kicked off his set. Another scene veteran, this was apparently David’s first gig for 7 years (“[my] last one was here with The Shudders!”), but he showed little evidence of ring rust, with a fine, Americana tinged opener. Gareth subsequently reckoned David’s set was “Weller-esque”; I’m not on particularly familiar terms with The Modfather’s solo output, but other numbers had touches of Beatles-esque britpop, his second number ripping off Mark Morriss of The Bluetones, apparently (!), and “The Man On The Clapham Omnibus” was Kinks-esque both in terms of London-centric subject matter and knockabout melody, so we were both on the same chapter, if not the same page... My favourite, “Beautiful Day” had an element of Buffalo Tom’s slower descending acoustic riffery, having also apparently gained BT fan Richard Skidmore’s seal of approval! A relaxed and urbane set concluded with David well and truly skewering the Welller comparisons with a tense reading of The Jam’s “Down In The Tube Station At Midnight”, segued in with The Housemartins’ “Happy Hour” to at least end on an upbeat note!

 A few technical issues with their banks of keyboards (“we are Spinal Tap!” quipped vocalist David) delayed Abstraction Engine’s start, but they kicked off at 10 in front of a very quiet Castle back room (me, David plus two or three curious locals – damn shame really!) with the synth-led 80’s-tinged Talk Talk-isms of “Talk In Your Sleep”. Again darting from indie-genre to indie-genre, “Crossfire” was tougher and almost echoey pseudo Goth, and “Placeholder” a jangly Wheat-esque intro morphing into a ragged punk rock noisefest! A later “Forever” was a gauche little C86 ramble-athon with a Smiths lyrical homage (“save your life – because you’ve only got one…” and, following a plug for the new CD EP (“don’t forget to mention [it], available through all good outlets – and Tom’s backpack!”) they built up to a strong finish with a fine sounding, post-punk “Dreamer” and the absorbing, slow-burn Wheat alt-college rock dreampop of “Shiine”.

 But then there were the covers… In anticipation for their appearance at Lechlade Festival next weekend, they’d thrown a couple of non-originals into the set, to road test them for a Festival crowd unfamiliar with their own material. Fair enough, really… An earlier, understated run through of Wings’ “Silly Love Songs” wasn’t really to my taste but was OK really, I guess; however they then finished with a straight cover of Spandau Ballet’s appalling 80’s cheesefest ballad “True”. Yuck! Still, it got a couple of locals up and swaying along, and hopefully it’ll serve its’ purpose as a competitor to Alexandra Burke – me, I’ll just remember “Dreamer” and “Shiine” from this set, and pretend it didn’t happen…!

 A bit more banter and piss-taking with the boys afterwards, before I wandered back through a still-relatively deserted old town to the motor. Another enjoyable set of intriguing indie from this lot – shame so few were there to see it… and shame about those covers. Hopefully they’ll go down well at Lechlade, so my “pain” won’t have been in vain…!!

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